March 3, 2022
On 2 March 1987 Canon launched its EOS Arrangement with the admission of the EOS 650 single-lens reflex camera and the new EF lens arise (with a leash of EF lenses). At the time it was admired by abounding as a chancy move as it saw the abandonment of the FD lens mount, which had been the optical colonnade of Canon’s SLR arrangement back 1958.
The EOS era – which stands for Electro-Optical System, as able-bodied as actuality the name of the Greek Goddess of the aurora – had begun. At launch, the EOS arrangement had three amount attempt – speed, angel affection and affluence of use. That leash of key factors still holds accurate today.
Since the March 1987 barrage of the EOS Arrangement there accept been 35mm blur cameras, agenda cameras, mirrorless cameras, Cinema EOS cameras, Avant-garde Photo Arrangement cameras, 50MP cameras, 8K video cameras and over 150 actor lenses – ascertain the best Canon EF lenses to buy in 2022 – awash for all of the EOS systems.
So, afterwards added ado, actuality are our choices of The 12 Best Canon EOS Cameras Ever…
The EOS 650 was the aboriginal anytime camera in Canon’s EOS range
Canon’s first-ever EOS camera took abundant of its architecture afflatus from the allegorical chiral focus Canon T90 SLR (launched in 1986), which was nicknamed ‘The Tank’ by Japanese photojournalists.
Despite attractive anachronous today, it still has abounding of the attributes of afterwards EOS camera bodies… such as a sculpted handgrip, a multi-purpose cyberbanking ascendancy punch and a curvaceous anatomy design.
Held up to avant-garde day cameras, the blueprint of the EOS 650 arise somewhat basal but it did activity a distinct autofocus point and a 6-zone metering system.
The controls were additionally hardly abnormally abiding and it would booty addition few years for Canon to absolutely advance the accepted EOS ascendancy blueprint that we recognise today.
The 650 has stood the analysis of time and the anatomy works altogether able-bodied with avant-garde day EF-mount lenses.
The 1991-launched EOS 100 accustomed the architecture arrangement for avant-garde SLRs
Designed for enthusiast photographers, today the EOS 100 appears accepted and unremarkable, with accompanying cyberbanking dials to handle acknowledgment settings, a top-plate approach punch and a congenital flash. But, in fact, it was the aboriginal EOS camera to accompany all of these elements together, thereby establishing the architecture arrangement for best avant-garde SLRs.
It additionally alien a abstraction of ‘silent’ operation, which was acceptable in an age back autofocus motors bashed abroad noisily, and bang and film-winding noises precluded any alert photography.
Interestingly, it additionally attempt at three frames per additional and drive could be disabled to acquiesce up to nine assorted exposures.
The EOS 100 anchored Canon’s acceptability as a maker of well-designed SLRs that provided the appearance that enthusiasts wanted, afterwards accepting aberrate by contemporary add-ons.
The EOS-1N RS attempt at 10 frames per second
By the mid-1990s Canon had accustomed itself as the arch camera cast for cutting activity pictures, acknowledgment to its fast-focusing, accelerated motor (USM) telephoto lenses.
Its top of the ambit EOS-1 alternation pro bodies had additionally acquired a acceptability for toughness, believability and speed.
In agreement of speed, the EOS-1N RS was peerless, able of cutting at a baking 10 frames per second. Canon accomplished this acceleration through application a fixed, semi-silvered ‘pellicle’ mirror that didn’t charge to cast up and bottomward for the camera to accomplish an exposure.
The adjustment for this speed, though, was that beneath ablaze was extensive the blur (as some was actuality directed up to the viewfinder), so photographers had to use faster lenses, slower bang speeds or college ISO acceleration films to try to ensure they maintained angel affection in their 35mm blur pictures.
The EOS 50E was the aboriginal camera to use Canon’s E-TTL beam metering system
There was a mini awakening of retro-styled, 35mm SLRs in the mid-1990s with designs affective abroad from the atramentous polycarbonate skins, that had become the norm, to anatomy ‘skins’ that featured silver-coloured acme and abject plates.
With the EOS 50E, Canon went a footfall added and included top-plate alternation dials for autofocus, drive and metering modes in abode of its accepted buttons.
Most of the anatomy was plastic, afar from the lens arise and the top plate, which was adequate with an aluminium cover.
Technologically, the EOS 50E was additionally innovative, actuality the aboriginal archetypal to use Canon’s pre-flash-based E-TTL beam metering system, alongside eye-controlled focus (even back cutting vertically) and Canon’s altered depth-of-field mode. Together, this all added up to one of the best absorbing 35mm AF DSLRs of its time.
The EOS-3 included a 45-point, eye-controlled AF system
To be honest, few 1990s SLRs are anytime acceptable to be advised architecture classics, but if there’s one archetypal that ability set the hearts of Canon users to race… it’s the astounding EOS-3.
When it was released, this barbarian of a camera absolutely ‘out-specced’ the able EOS-1N SLR, with a near-identical anatomy architecture but skinned with failing artificial rather than metal.
It included an amazing 45-point eye-controlled autofocus arrangement (which, sadly, could be bamboozled by comedy wearers or acquaintance lenses), cutting at up to seven frames per additional and an avant-garde multi-spot metering system.
Its cachet amid Canon users became so astral that, for years afterwards its launch, abounding were acquisitive for a ‘digital EOS-3’, afore the EOS 5D Mark III finally, effectively, abounding that role back it launched in 2012.
The EOS-1 V was a blur camera that stored cutting data
At the time of its barrage the EOS-1V 35mm blur SLR was the fastest moving-mirror blur camera in production, with up to 10 frames per additional cutting (with a PB-E2 ability drive booster attached).
The camera’s anatomy architecture formed the base for consecutive EOS-1 alternation DSLRs, such as the EOS-1D and the EOS-1Ds ranges.
The ‘V’ in the name was acclimated for two affidavit – it adumbrated the fifth bearing of Canon able SLRs and the aggregation additionally claimed the ‘V’ stood for ‘vision’.
The blueprint included a 45-point breadth AF with predictive AI servo AF at 9fps, 20 custom functions and 31 ‘personal functions’.
As its name suggests, these claimed functions accustomed photographers to set up the camera to their favourite settings, but this had to be done but utilising the ES-E1 software and hooking the camera up to a computer.
The EOS D30 was the first-ever ‘all Canon’ agenda SLR model
With its aboriginal ‘home-grown’ DSLR (following an accord with Kodak that accumulated Kodak agenda backs with Canon SLR camera bodies), Canon gave us a glimpse of the future.
No bigger than a accepted 35mm SLR, it was the aboriginal bartering camera to be able with a ample APS-C CMOS sensor, with a 3-million-pixel-resolution and acuteness settings all the way up to ISO 1600.
At about £1,850 anatomy only, it was affordable to abounding pro photographers and didn’t attending absolutely aloof to amateurs either – the actual analogue of a ‘prosumer’ camera.
Its three-point autofocus was rather basal and its rear awning was tiny (it was 1.8 inches, 46mm) and had low resolution.
But, admitting its flaws, the D30 was absolutely one of the key milestones in the alteration from blur cameras to agenda cameras.
The EOS 300D was notable as the aboriginal anytime sub-£1,000 DSLR
Arguably the axis point in the agenda revolution, the EOS 300D was the aboriginal anytime sub-£1,000 DSLR.
By agreement a six-million-pixel sensor in a stripped-down artificial body, Canon put an changeable lens agenda camera into the easily of consumers for the aboriginal time.
It additionally debuted a adapted lens mount, that took a new ambit of EF-S eyes advised accurately for the APS-C sensor.
The 300D was launched with an EF-S 18-55mm zoom as its kit lens – this optic was accessible in a USM adaptation in Japan but was a non-USM lens everywhere abroad in the world.
However, with astringent restrictions on the alternative of settings, such as autofocus and metering mode, Canon came in for some criticism for ‘crippling’ the 300D. The aggregation after reinstated these appearance in its successor, the 8-million-pixel EOS 350D (which accustomed in 2005).
The EOS 5D was an affordable, 13MP, full-frame DSLR
The EOS 5D was addition iconic archetypal in the development of digital, as it was the aboriginal affordable full-frame DSLR.
With a 13-million-pixel sensor, it amount about £1,800 – beneath than the D30 that was launched bristles years earlier.
With few crop-sensor lenses yet to arise on the bazaar this was a big deal, as professionals and austere amateurs could use their absolute EF lenses as they were designed. They additionally benefitted from the camera’s accomplished resolution and aerial ISO achievement (with an ‘H’ ambience of ISO 3200).
The 5D additionally congenital Canon’s proprietary DIGIC II imaging engine, accouterment abundant and accustomed colours as able-bodied as accelerated angel processing.
Autofocus was article of a weakness – alone the axial of its nine credibility formed anxiously with fast lenses – but this was a cede that abounding users were accommodating to make.
Read our ‘second-hand classic’ attending at the Canon EOS 5D
The EOS 5D Mark II brought Full HD 1080p video cutting to DSLRs
When the time came to amend the EOS 5D, the bazaar was abundant added competitive, with affordable full-frame models from Nikon and Sony additionally available.
But Canon had an ace up its sleeve, because the 21MP EOS 5 D Mark II was the aboriginal DSLR that was able of recording Full HD (1080p) video.
In hindsight, it’s bright that actual few manufacturers had any abstraction of aloof how important this affection – about a aftereffect of Live View technology – would about-face out to be.
It was accessible that filmmakers anon became absorption by the camera’s low-light and bank depth-of-field qualities, and no mass-market DSLR camera has been able to carelessness video since.
Also of note, was the use of the DIGIC IV processor (first apparent in the 50D), which enabled angel processing features, such as lens borderline beam correction.
Read our Canon EOS 5D Mark II review
The 50.6-megapixel EOS 5DS R (left) and EOS 5DS (right) cameras
Canon’s EOS DSLR ambit had calmly been accoutrement the needs of about all abecedarian and able photographers, but there was one breadth it hadn’t… ultra-high resolution, average format-style angel affection for cutting commercial, advertising, accomplished art, landscapes and fashion.
In effect, Canon was putting average architecture angel affection in a DSLR body.
The February 2015 barrage of the 50.6MP cameras – the ‘R’ archetypal finer did afterwards an optical low-pass clarify in adjustment to maximise the accurateness of the camera’s sensor – meant Canon was addition the address of the EOS DSLR range.
Key specs included the 50.6MP CMOS sensor, bifold DIGIC 6 processors and a 61-point AF arrangement in what was actual acutely a stills camera, rather than a DSLR to shoot video.
Though it’s account acquainted the cameras offered connected AF for cine shooting.
Read our Canon EOS 5DS and 5DS R acreage test
The mirrorless EOS R5 can almanac DCI 8K RAW video
In July 2020 Canon took the wraps off its flagship 45MP, full-frame, EOS R5 mirrorless model, which is best notable for its video specifications.
It became the world’s aboriginal mirrorless camera that was able of recording DCI 8K RAW video internally (at 30fps) and additionally offered 4K video recording at 120fps.
Whilst the video specs affective the aggregate of the account the R5 additionally endless up able-bodied as a stills camera with ISO up to 102,400, a cutting access acceleration of 12fps (or 20fps application bashful cyberbanking shutter), and 5,940 selectable AF points.
Like its sister R6 model, the R5 had 5-axis in-body angel stabilisation, that offered up to eight stops with assertive RF lenses.
Canon’s RF arise lenses had fabricated their admission in September 2018, but absolute EF, EF-S, TS-E and MP-E lenses could be acclimated with RF arise cameras via the EF-EOS-R lens adapter.
Read our Canon EOS R5 review
Canon EOS arrangement celebrates its 35th anniversary
Best Canon EF lenses to buy in 2022
Canon has formed out 150 actor RF and EF lenses
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